Speaking to Vogue mid-evening, Rubasingham acknowledged the historic nature of her new role. “As the first woman, I hope it opens doors and encourages others to think they can do the job,” she said. “But more than that, I want to be seen as a brilliant director—regardless of gender or race.”
When asked about her goals as the most powerful woman in British theatre, Rubasingham didn’t hesitate: “I hope to make theatre more accessible, inclusive, generous, and kind. I love the digital work the National does—it democratizes theater for those who can’t physically attend or afford it. I want to expand that reach and make a difference for all people.”
Rubasingham’s debut season reflects that ambition. The lineup features 16 productions—nine of them world premieres—including a bold, modern adaptation of Euripides’s The Bacchae, her directorial debut at the Theatre, with a script by first-time playwright Nima Taleghani. It will be the first debut play ever staged on the Olivier Theatre’s main stage. “With an ancient play about a pack of women who tear a man limb from limb, I can’t wait to see Indhu’s approach to The Bacchae!” Wintour enthused.
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